Like several of my classmates, I wondered why the group of sociologists who penned Human Embryos as boundary objects? had felt the need to meticulously construct what appears on the surface to be a slam-dunk argument: that "affected" (rejected) embryos from PGD laboratories could and should be made available for use in ESC research projects. After all, ESC scientists would only be "taking material that's going to be destroyed and... trying to create therapies out of that" (9). Here is where we can really see Green's analyses of the volatile and deeply inconsistent politicization of embroys in Embryo as epiphenomenon working to help us better understand the religio-cultural terrain of the debate. Many conservatives overlook the destruction of human embryos that occur as part of the IVF process, while they bemoan the use of such 'doomed' embryos in stem-cell research; in short, "opposing those who would privilege scientific progress and individual choice over the sanctity of family life and traditional family roles" (841). The reasons underlying the dichotomy- and some would add, the hypocrisy- of "pro-life" outrage are more likely to be discovered from a religio-cultural framing of the debate, by allowing for what Green calls the "deeper value conflicts," than from a more academic bioethical framing.
* * * * *
Few things written on the backs of album covers* have struck me as profoundly as this sentence: "Art is a science having more than seven variables." Maybe Fortun is proposing that we improve upon the disclosure mechanisms of the U.S. Securities and Exchange Commission by reconsidering the administration of the economic system as an art rather than as a science. Leaning heavily on the writing of Charles Kindleberger, he offers this:
"To describe what governments or banks must do to respond well to speculative excess... a 'neat trick' has to be performed, a 'sleight of hand' [whereby] the 'lender of last resort'- who must exist, but whose 'presence should be doubted'- must 'always come to the rescue... but always leave it uncertain whether rescue will arrive in time or at all, so as to instill caution in other speculators, banks, cities, or countries' "(194).
This theory of "literary economics," which I'm pretty sure even Fortun would agree is half-baked as it appears in his book, is nonetheless intriguing. How would a USCEC (my acronym) based on a chiasmic, doubtfulXcertain "foundation without foundation" model actually function? And what the hell is the model, anyway? This is some serious voodoo economics.
*A notable exception, which I'm sharing just for fun, can be found at the very end of the liner notes in Lou Reed's Metal Machine Music: "My week beats your year." Go get em, Lou.
